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Dead Dreams

Dark nights in a faraway prison cell

By Sandeep Kumar Mishra

      In his dreams, Rajan searches for the ghosts. He hunts for them, tracing their footsteps in the dirt. He is back in his hometown— he knows these roads. The moonlight shivers on his skin. The crooked streets rattle around him. His heart burns in his chest. Baba, mama. Where are you?

      He runs, following the path laid out for him. The streets smell like smoke. Everything is hazy and deserted, shuttered up and locked away. He knows his neighbors behind each door, but no one steps out to help him. They’re too scared. Rajan is terrified, too, but he keeps running.

      Please, if I could just see you one more time. I didn’t know it would be the last time. I would have said so much more. Baba, Mama.

      When he looks up, the ghosts are farther away than before. They blur in the distance, like poorly developed photos, but he can still sense the sadness etched upon their faces. Their feet twist backward from their bodies. Bhuta. Spirits. He should have known better— he’s been following their trail the wrong way the entire time. He won’t ever catch up now.

      Grief sweeps over Rajan like a monsoon. He drops to his knees. The ground begins to crumble. A dark pit opens underneath him— a grave, cloying and sticky with the scent of death. The spirits watch from a distance, cold in the low moonlight. Rajan falls.

      He wakes up with a jolt. It’s still dark outside. Warm air filters in from the cracked window by his cot. The only sound in his cell is his own unsteady breath and what sounds like the rustle of paper. He looks at his journals, but they lie still across the room, untouched.

      He looks out the window. Two beady black eyes stare back at him, then rise in the dark, unfurling into an undulating brown body. The snake’s tail lashes out and strikes the window. Rajan jumps back, his heart hammering in his chest. The snake hisses, but it sounds more like a shriek of mocking laughter.

He doesn’t sleep for the rest of the night.


      Dawn spills like pale pink soup over the horizon, bringing with it a searing heat that refuses to break. The prisoners queue up to receive sloppy rations of oatmeal ladled into their bowls. The cafeteria smells like vinegar and bleach.

      Rajan sits down at a table and pulls out one of his journals. He’s made it a point to write every day he’s been imprisoned— it’s the only thing keeping him sane. A flip of the journal’s pages shows his journey: raw confusion at first, legal jargon to look up later, and then feverish thoughts of revenge as he realizes what has happened.                      

         Afterward, his writing shows a dull acceptance of his fate, then a sudden jolt back to confusion as the pandemic hit and the world spun upside down.

      He still feels all those things like an ache in the pit of his chest, a heartburn he can’t get rid of. Rajan used to take pride in his sensitive emotions. It made him a better poet, after all, and his poetry landed him a teaching position at a prestigious university. Now, though, he wishes he could turn off his mind. There’s too much to feel. It’s overwhelming.


      One of the other prisoners, a skull-inked man aptly nicknamed Bones, nudges Rajan’s side. “Stop writing, professor. What’s the point? None of us are ever getting out of here.”

      Rajan does not spare him a glance and continues writing. “The words are the point.” If he doesn’t write, then the words haunt him in the dark, and he doesn’t sleep.

      Bones grunts. “That’s deep, man. I bet if I was that deep, my wife wouldn’t have left me.”

      This is a ritual the prisoners go through daily, sitting around the table and wishing things had gone differently— a storytelling of sorts.

      Rajan has heard it all by now. If I hadn’t met her… if he hadn’t pissed me off so much… if the cops hadn’t been nearby that day… Rajan has never played their game. There’s no point in wondering about the past. He isn’t even sure about enough details about his case to wish differently.

      All Rajan knows is this: One minute, he was an esteemed professor travelling internationally to attend a literary seminar. The next, airport security found a bag of white powder in his carry-on, this amidst a surging global pandemic. The world was having a collective panic attack. His pleas of innocence were lost in the cries of a million others.

      Rajan’s mouth goes dry just thinking about the horrors of that day. He takes a sip of milk, but it’s curdled, and stings going down his throat. He hacks up a cough.

Bones leans back. “Hey, get away from me, man. Is that contagious?”

      “The sour milk? I hope not.” Rajan understands Bones’ anxiety. The fear of the plague is almost a second pandemic in and of itself. He sets the cup on the corner of his tray, as if it must be quarantined from the rest.

      “Ugh.” Bones makes a face. “Why is everything here so rotten?”

      “It’s a metaphor,” Rajan tells him dryly, and they both laugh.


      Mid-morning, he gets a migraine, which makes him scream and kick his cot in frustration. He’s been plagued by headaches his whole life, but they got viciously worse when he came to Australia eight months ago: Something about the climate, he suspects. He’s learned that there’s nothing to do but wait them out.

      Rajan curls up in a corner of the room, his hands wrapped around his knees. White spots dance in his vision. It feels as if a hammer is raining blows down on the back of his skull. When things got this bad, his wife used to soothe him with a cool compress, but now she’s a continent away. He passes out with her name on his tongue.

      In his hazy, pain-filled sleep, he sees a snake. He can tell by the markings that it’s the same one from the previous night. Mottled spots of green blot the snake’s body like mold. No, not mold— it reminds Rajan of the diagrams of the COVID-19 virus he and the other prisoners were shown at the beginning of the pandemic.

      The snake hisses at him. Rajan is distantly aware that this is a dream, so he does not flinch. The desert blurs around him. The prison is at his back. He’s outside. He’s free, if he can just get past the snake in his path.

      Rajan picks up a stick from the ground, intending to shoo the snake away. Before he can, the snake shrieks and flails, its tail lashing on the ground. Rajan jumps back. The snake hurls itself toward him. He raises the stick and thrashes the snake over the head. Its scales graze his wrist. He feels a pinch of pain. He pulls away and strikes it again. It keens, wild and pained. Adrenaline floods Rajan’s veins. He strikes the snake for a third time. It lies still.

      Breathing hard, Rajan looks down at his wrist. Two pin-point pricks of fang-bite are embedded in his skin. Poison seeps slowly through his veins. Dizziness overwhelms him, and he collapses.

      He wakes up smothered in sheets from head to toe, like a funeral shroud.


      The rest of the week flits by like a ghost in the mist. Time blurs, and Rajan struggles to find things to record in his journal. It’s just another day after day after day. What is there to write about when everyone is trapped, when nothing changes? He knows vaguely that this is momentous, that the world has never seen a pandemic of this magnitude, but he’s so isolated in the prison that he can’t even conceptualize how the outside world is changed.

      He is starting to forget the details of his family’s faces. He draws awkward, crooked pictures of them in his journal. Does his father wear two rings or one? Does his mother have a mole under her right eye or left? It strikes Rajan with a deep, tolling sadness that he will never again be able to look at them and remember.

      With nothing else to do, Rajan starts recording his dreams. The doctor prescribed him sleeping pills to help with the migraines and insomnia and they do help, but they make him dizzy, thick-limbed and unable to differentiate wake and sleep. In this half-twilight, he writes:

       October 18, 2020. The ghosts came to visit me again. This time, it was my children. They danced around me in a circle, chanting, “Baba’s dead! Baba’s dead!”

      I tried to tell them that I wasn’t dead, that I was just away temporarily, but they couldn’t hear or see me. I tried to embrace them, ruffle their hair, but I couldn’t touch them. It was as if I was invisible or a ghost. Am I becoming a ghost? My feet are straight, and bhuta are restless, transient things. I never move. I am stuck. I hate being so stuck.

      October 19, 2020. Last night, I saw the snake. The same snake I always do. I killed the snake. But the snake returns. It bites itself— a perfect, pure, ouroboros. It behaves like it also wants to die. I don’t know how to feel about this. The snake returns. The snake returns.

      The rest of the entry trails off into unintelligibility, marked by a spot of sleepy drool at the edge of the page.


      “What’s up, dude?” Bones prods Rajan’s shoulder. They’re in the exercise yard, Rajan crouching to pick up a dumbbell, Bones watching to make sure he doesn’t injure himself. “You look even more depressed than usual, which is saying something.”

      Rajan focuses his efforts on squatting, then lifting the weight over his head. His muscles burn, but it feels good to sweat. “Nothing. I’m fine.”

      “Really?” Bones arches an eyebrow. “You look like you’re about to pass out.”

      “I am not—” A burst of light-headedness flows through Rajan. He sways unsteadily on his feet and sets the weight down with a thunk. “I am not going to pass out,” he says, panting.

      “Seriously, professor, you’re worrying me.” Bones offers him a water bottle, which Rajan gratefully accepts. “Is it the nightmares? Are they getting worse?”

      Rajan blinks. Water drips down his chin. “How did you know?”

      “You cry in your sleep.” At Rajan’s expression, Bones rushes to reassure him. “We all get the bad dreams, dude. We’ve all been through something heavy. If anyone judges you for it, I’ll beat them up.”

      “Thanks,” Rajan says, flattered by the offer. He wipes sweat off his forehead. “I think… I might be cursed. I don’t know.” He gestures to his chest. “All my emotions are like water, filling me up, drowning me. There’s only so much grief a person can take.”

Bones sits next to him. “What do you see in the dreams? You don’t have to tell me if you don’t want to.”

      “A snake,” Rajan says, holding up his hands. “About this big. We fight. I kill it. The snake returns.”

      Bones scratches his head. “The same dream? Every night?”

Rajan shrugs. “Pretty much.”

      “Cool,” says Bones. “In my dreams, my wife always yells at me all the time.” Rajan laughs humorlessly. Bones says, “If you had the same dream every night, a spirit was haunting you. You needed to do something to appease it.”

      “Like what?” Rajan asks.

      “Well, leave bowls of honey and milk outside for the fairies to eat, but you can’t do that here.

      Maybe just do something different to help it out?


      Bones taps his hand against a barbell. “Saying that aloud, it all sounds pretty nutty.”

Rajan gestures to the prison yard, to the barb-wire walls and the world at large, where panic and a pandemic consume them all.

      “If you ask me, anything’s worth a try.”

      “Or ask your doctor to double your prescription.”

      “No, thanks. If I take any more sleeping pills, I might never wake up again.” The thought had been appealing, at times, but Rajan can’t go through with that. He has to find his way back to India, to his wife and to his children, to his parent’s ghosts and graves. He has to believe that someday, this will end. Giving up means he will end.


      Rajan takes no sleeping pills that night. He lies on his cot, his arms folded over his chest, and watches the moonlight seep like spoiled milk through the window. Some part of him thinks the snake might come to find him while he is awake, but the desert outside his window remains bleak and empty. In the end, he has to go to it, instead.

      He closes his eyes. His breathing is soft and steady. He slips into sleep and dreams.

Here he is again. The jail behind him, the snake in front of him. Imprisonment or death. Are those his only options? Is he supposed to give up and let the snake poison him? Rajan refuses to believe it is so.

      The snake bares its fangs, which curve like crescent moons in the light. Rajan picks up the stick. The wood is familiar in his hands, grooved from his grip.

      “Back off,” he tells the snake as it hisses at him. “I mean it.”

      The snake lunges for him. Rajan dodges away, swiping the stick out to protect his bare feet.

      “What do you want from me? Just leave me alone!”

      The snake writhes and coils. Its tail thumps in the dirt again. Rajan hits it with the stick. It howls.

      This is his dilemma, the problem he’s figured out over many nights of mystic battle:       He can wound the snake, but whenever he closes in for the killing blow, it finds a way to bite him. Slaughtering it only results in both of them dying.

      Do something different. Break the cycle. Bones’ voice whispers in the back of Rajan’s head.

      Rajan backs away. The snake follows. Blood drips from its belly.

      “Stop,” Rajan says. “I don’t want to hurt you.” The snake ignores him. It seems compelled to attack. Its black eyes fix on the weapon in his hand.

      So Rajan sets the stick down.

      His heart is pounding in his chest. He raises his hands above his head. “See?” he says, mouth dry. “I mean it.”

      The snake rises up, twists its head to consider him. Its eyes reflect the white-chip light of the stars above.

      “Go,” Rajan says. “You’re released. You don’t have to die to be free.”

      The snake lowers its body back onto the flat ground, as if it is bowing to him. Then it slithers off into the desert, leaving soft plumes of dust in its wake. Rajan drops his hands, breathing heavily. He takes a step forward into the night. Nothing stops him.       For once, there are no ghosts, no migraines, no spirit-snakes waiting to strike. He is free.


      The next morning, a guard comes to visit his cell, rapping loudly on the bars.

      “Hey. Wake up.”

      Rajan hasn’t slept. This time, it wasn't insomnia, but indecision: He is burdened by his choice to let the snake go free. What has he set loose? The nightmare has so warped his life that he can’t help but imagine it will impact the waking world, too. For all his metaphors, for all his knowledge of spirits and curses and dreamscapes, he doesn’t know what he’s done.

      “Get going,” the guard snaps. “You’re leaving.”

      Rajan blinks, sits up. “Leaving?”

      “In three hours.”

      He almost doesn’t want to ask. It’s too much to hope for. “Where—where am I going?”

      “I dunno. Back to wherever you came from, I guess,” the guard sneers, but Rajan barely registers the jab. He’s going to get out.

      He glances down at the page in his journal, where he has written the first scrawling lines of a poem: today I did not kill the snake / I set it free / it will return to the wild / I will wait for its mercy / and it will return to me.

      He asks, though he already suspects the answer, “Why?”

      “Prison’s full— we need more space than usual because of the pandemic. You’re a minor offender. Your sentence was shortened. Congratulations.” The guard tosses a piece of paper at him, presumably some sort of official court document. “Pack your stuff.”

      Three hours later, he’s out the door.

      Two guards accompany him on either side, their nightsticks swinging. A car idles a few yards away. Rajan breathes in the sweet desert air. The heat doesn’t bother him, and his migraine has faded. Clouds of dust bloom like flowers. The world is still. Even the tumbleweed has stopped its travels to watch him. It would make a good setting for a poem, Rajan thinks.

      As he takes his first steps as a free man, a snakeskin snaps beneath his shoe.

March 2022

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Sandeep Kumar Mishra

Churu, India

The essence of the story is autobiographical. As it shows my shattered dreams, frequents nightmares and the torture I have gone through for last four years as I have to leave my home for better life..”

Sandeep Kumar Mishra is an outsider artist, a poet, and a lecturer. He is the poetry editor at Indian Poetry Review. He has received the Readers Favorite Silver Award (2021), an Indian Achievers Award (2021), a Literary Titan Book Award (2021) and was shortlisted for the 2021 International Book Awards.


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